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hot646 6 New Shows Our Theater Critics Are Talking About

Updated:2024-10-14 03:41    Views:163

Critic’s Pickhot646 Identity politics, funny at last.Image Daniel Dae Kim as the playwright David Henry Hwang’s stand-in in a revival of the play “Yellow Face” at the Todd Haimes Theater in Manhattan.Credit...Sara Krulwich/The New York Times‘Yellow

  • Critic’s Pickhot646

    Identity politics, funny at last.ImageA production image shows a man in a black suit jacket and a white collared shirt standing in front of a darkened screen with text of a news article. The headline reads: “Union Bars White in Asia Role.” Daniel Dae Kim as the playwright David Henry Hwang’s stand-in in a revival of the play “Yellow Face” at the Todd Haimes Theater in Manhattan.Credit...Sara Krulwich/The New York Times‘Yellow Face’

    David Henry Hwang’s 2007 satire, directed by Leigh Silverman, arrives on Broadway starring Daniel Dae Kim as an Asian American playwright who protests yellowface casting only to inadvertently, and hilariously, cast a white actor as the Asian lead in his own play.

    From Jesse Green’s review:

    A smart thing about “Yellow Face,” aside from the authorial self-defamation, is that as it gets more hopelessly tangled and thus funny it also gets more serious and thus damning. The questions of identity considered as cultural matters in the first half become personal and political in the second.

    Through Nov. 24 at the Todd Haimes Theater. Read the full review.

    Critic’s Pick

    A brutal classic with an ideally shrewd Jim Parsons.ImageA man in a blueish-slate gray suit is holding up a lantern onstage. Above him are a constellation of lit lanterns, and behind him is a large ensemble of actors, some seated and some standing.Jim Parsons as the Stage Manager in “Our Town” at the Ethel Barrymore Theater in Manhattan.Credit...Sara Krulwich/The New York Times‘Our Town’

    Kenny Leon directs Jim Parsons, Katie Holmes and others in a revival of Thornton Wilder’s 1938 classic about two families whose ordinary life events, from birth to death, are consecrated by a kind of communal love.

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    From Jesse Green’s review:

    In any good enough production, “Our Town” is titanic: beyond time and brutal. The revival that opened Thursday at the Ethel Barrymore Theater, the fifth on Broadway since the play’s 1938 debut, is more than good enough. To use this word in the only positive sense I can imagine, it’s unbearable: in its beauty, yes, but more so in its refusal to offer beauty as a cure when it is only, at best, a comfort.

    Through Jan. 19 at the Ethel Barrymore Theater. Read the full review.

    Critic’s Pick

    Alive with the sound of music.ImageFour girls in pink and orange outfits stand on a blue table. Their mother, wearing a white shirt and a plaid skirt, smiles with one hand on a staircase near them.Laura Donnelly, far left. Clockwise from top left: Nicola Turner, Nancy Allsop, Sophia Ally and Lara McDonnell as her daughters in the play “The Hills of California.”Credit...Sara Krulwich/The New York Times‘The Hills of California’

    In Jez Butterworth’s dying-parent drama, directed by Sam Mendes, four sisters trained by their determined mother (Laura Donnelly) to sing close harmony reunite 20 years later as acrimonious adults.

    From Jesse Green’s review:

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